Now that my entire book has been written in just action and dialogue, it’s time to go in and layer in thoughts. What is the character thinking and how is it going to drive the scene?
Category: Planning and Plotting
I go into writing a book already knowing my characters, much like my artist friend has gone into painting this painting know what her subject is. So, I’ve already done my character research, I already know everything about them, and I already have my faith, romance, and, if necessary, suspense arcs of the project. See my post on Brainstorming Character Conflicts.
Once that is finished, it’s time do the plotting of the story. Basically, I think, “What happens in chapter 1?” Then I give a paragraph or two or three of the events that are going to unfold in chapter 1.
If the question had been, “Why do you tend to write characters in desperate circumstances?” I could have answered that question without the soul-searching. But this question was, “Why is it important to you to write characters in desperate circumstances.
I write Christian romantic suspense, so inside that genre, I need to have a faith arc, a romantic arc, and a suspense arc. Each of those arcs require internal and external conflicts, motivations, and different characterizations.
When I’m setting up and getting ready to plot a book, the first thing (other than my characters) that I need to know are what those conflicts and motivations are, and how they’re going to be resolved/utilized.
I am a huge believer in organizing my plan, organizing my environment, and organizing my schedule so that there’s order around me and therefore my creativity can flow.The more organized I am, the better my life runs. It’s important to me that, as a homemaker, my household runs as smoothly as possible. The way my brain functions means to do that and to also allow that relaxed brain creativity for writing means everything has to be planned and structured.